We now live close to a beautiful city cemetery and often go walking there with Gia. Since we've moved, we've been struggling with finding sewing time (Mr Rat) and photographing new projects (me) because it gets dark so early and our schedule is still uncertain and unsettled. I asked Mr Rat if he would take some photos of my jacket that I finished earlier in the summer and haven't reviewed yet while we took our regular walk through the cemetery in the evening. The lighting was lovely but a little difficult, so I apologize if the photos are of uneven quality. I don't think the dead found it disrespectful for us to stop and take some photos in their vicinity, but I hope the living didn't mind us pausing to take a few photos of my jacket before the sun went down and a few photos of some of our favorite old gravestones, so beautiful and so lonely.
It is surprising and charming to me that it is very popular here to decorate the graves for Halloween so that the grass is dotted with jack-o-lanterns, colored LED lights, little ghost figurines, and lots of orange bouquets. I don't think we got any pictures of the decorations for this post, since we were mostly photographing in the older, less decorated and more neglected part of the cemetery, but Mr Rat did get a photo of an unusual grave below----one that will never lack a true and loyal friend.
Sewing the jacket: After making some observations about my homemade wardrobe at the end of Me-Made-May, I felt like I needed to make more outerwear, so I decided to try 1970s-era McCalls 4177 with the leftover bits of olive-green cotton twill that Mr Rat made a jacket out of a while ago. Since the jacket is unlined, I finished the seams with bits of brown bias tape that I had thrifted, and did lots of edge-stitching to make the prone-to-wrinkles fabric look as crisp as possible. The pattern itself is not difficult. The trickiest part is the notched collar, which takes more patience than effort. I like the length of the jacket and how well it works over dresses and skirts. I also like the way the darts on the upper back shoulders, beneath the collar, and at the elbows give it a nice fit. The rounded, cropped shape is unusual and interesting, and I like the little gathered puffs at the top of the sleeves. I think I will likely sew this jacket again at some point, since it is a good length to wear with skirts, like the homemade Simplicity 7880 one I am wearing it with here.
Happy Halloween! Mr Rat and Gia and I will be curled up in front of our fireplace full of candles tonight with some candy and good books. I hope you will get to celebrate All Hallow's Eve in your favorite way tonight!
I am excited to share these photos of my new backyard (and new denim peplum top) with you! Our yard may not be large, but it more than makes up for that with beauty. Given that we moved from a very tiny one-bedroom apartment in the Bay Area with no yard or even a balcony to grow plants on or be outside in, our new townhouse in Utah (with a backyard! with a creek with ducks in it! and a beautiful birch tree! and with a little front patio I can grow plants in next Spring!) is a vast improvement in Mr Rat's and my life for which we are very grateful.
It isn't too cold yet to put away my autumn clothes for winter wool, for which I am also grateful, since it meant I could get some photos of my new denim peplum top sewn from late 1960s/early 1970s-era McCalls 2592. I've been excited about this pattern since I spotted it on sale on the Mom's Patterns website and ordered it in the mail. It reminds me of some of the more elegant bohemian looks of that era, and also has a prairie/Victorian influence, which I like.
McCalls 2592 sewed up well. I didn't have to make any adjustments and the fit is overall pretty good. My fabric, a mystery piece of denim I bought at the thrift store, didn't behave as well as the pattern---it had a tendency to stretch out on the curves, so next time I am working with light/medium weight denim I will remember to stay stitch every curve, rather than just the recommended ones. I finished the seams with a faux flat-fell finish, and used some scraps of bias tape to finish the armholes and to act as both a finish and a stay for the waist. The buttons probably look familiar to you if you've been reading this blog long: they are the same black thrifted buttons from my large jar of them that I've used on many projects in the past. I made the buttonholes by hand, and top-stitched and edge-stitched the seams with black thread, since it gave a slight contrast to the navy blue of the denim.
I'm wearing my new denim peplum top with my often-worn and much loved brown broadcloth skirt (originally reviewed here) and a thrifted vintage gold leaf brooch. Since the autumn here is much cooler than in California, I was wearing a black long sleeved t-shirt under my denim top, and tights, socks, and a petticoat under my skirt for warmth.
I'm pleased with how my first attempt at this pattern turned out. I'm sure I will make other versions, and wear them with pleasure.
Goodbye to gingham---not forever, but probably for the rest of the year. Since we moved to Utah at the beginning of the month we have also moved to a cooler, more colorful autumn, so I have already had to pack this gingham dress away that I made before I had to pack up my sewing supplies, and which I wore on our last outing to the monastery. Simplicity 7213 is one of my favorite dress patterns, which I have made up several times, but only shared once here on the blog (my black version, which you can see here). I wore the other pre-blog versions so much that I wore them out, so I thought I should make a new version or two for my wardrobe. I had hoped that this navy and white gingham version could be a dress I could wear from spring till fall, but the fabric ended up being very light and sheer, better suited to hot weather and summertime. Still, I can’t complain, since the fabric was free: gifted by one of my mom’s friends to her, and then from my mom to me. It had a narrow width, which makes me think it was vintage yardage. It also has a lot of crisp body and is finely woven, but is also rather sheer, as I mentioned before.
The construction was straightforward: the only changes I made to the pattern was to interface the neckline facing this time, since I found with my earlier versions that with a lot of wear, the neckline can tend to stretch out otherwise. I also sewed some vintage buttons from my stash down the center front, but left off the button-loops included in the pattern. I decided to use the long sleeves and tie closures, but use the shorter skirt. I cut the shoulder yokes and tie cuffs on the bias for a little variety, and interfaced the shoulder yokes to make sure they wouldn't stretch out. I didn't feel like I needed to worry for the cuffs, so I left them un-interfaced. I did lots of edge-stitching for neatness, as usual, using white thread this time to help blend into the fabric.
Now that I’ve caught up on the last photos from before our move, I can start posting new projects in our new home and neighborhood. We are enjoying the most beautiful tapestry of leaves right now, and I feel lucky to have a 'twenty-four carat gold' tree (as my mom would call it) right in our new backyard. So please come back for more photos soon.
I hope you are all having a good autumn in whatever part of the world you inhabit.
This was one of the last photos I took in our old apartment, while the weather was up and down between late-summer hot and early autumn cool. I am wearing my navy twill jacket (reviewed here) and my navy broadcloth skirt (reviewed here) with a vintage pale blue striped shirt with a white collar I found at the thrift store and a new sterling silver Stuart Nye pansy brooch that I found on Ebay for only a few dollars. It was black with tarnish when I got it, but after some polish, it is quite lovely, I think. Pansies have been one of my favorite flowers since I was a child, for their cheerful faces, and royal colors, and because ‘pansies are for thoughts.’
Mr and Mrs Rat
Mr and Mrs Rat like to sew.