Mr Rat and I went to Southern California to visit our parents for Thanksgiving, and oh it was sunny and warm! Thanksgiving day hovered around 90 degrees in my parents' backyard, where Mr Rat and I took these photos of my newest attempt at 1990s-era Simplicity 8620. Although I like the pattern, I haven't had much luck with my last two versions: the first (reviewed here) was too wide in the shoulders and the fabric wrinkled badly and didn't drape well enough to really suit the looseness of this blouse pattern. The second (reviewed here) had wonderful drape, but the first time I tried to wash it I made the mistake of putting it in the washing machine on the delicate cycle and it came out weirdly warped and unwearable. I should have tried washing it by hand.
This version is made from a mystery floral fabric that I found at the thrift store a while ago. It has a gentle drape, and I suspect it is actually a lightweight wool, given the hand of the fabric and the way it behaves under an iron. It frayed badly, so I was careful to finish all my seams, mostly with a faux flat-fell finish, and to bind the armholes with some grey rayon seam binding that was also from the thrift store. I decided to use self-covered buttons, which I made with a kit from JoAnns. The fit is the same as my last black rayon version, with a narrow-shoulder adjustment, although this time I decided to add the large collar, which ended up being rather dramatic, but looks nice with the bishop sleeves, I think. I edge-stitched all the seams, sewed the button-holes by hand, and sewed two snaps to the top of the button-placket area, to help keep the blouse closed and neat where the collar meets.
Although the style, color, and pattern are somewhat of a departure from my usual earth-toned solids, I'm pleased with how this blouse turned out, and foresee it being a versatile blouse for all kinds of weather---the lightweight wool making it warm in cooler weather and wicking away moisture to keep it cool and comfortable in warmer weather. On Thanksgiving day I wore it with a homemade necklace made of autumn jasper and my brown Simplicity 7880 skirt (reviewed here).
Now that we are back in Utah, we are also back to grey landscapes, grey clouds, and heavy coats. How do you adjust to the weather when you are sewing? Do you readers always sew seasonally? I thought this blouse might be unseasonable, but I think it turned out to be just right for November in California, and I am hopeful it will make many reappearances here in Utah in the spring.
Simplicity 8458 is one of the handful of 1950s-era vintage reproduction patterns that Simplicity released this year to honor their 90th anniversary. I bought a copy during one of JoAnn's 99 cent pattern sales recently and decided it was worth a try. I've never had much luck with a-line skirts before because my hip and waist measurements are varied enough to be one, if not two pattern sizes apart, and so when I've tried sewing a size 8 (which is the best fit for my waist) sometimes the skirt won't fit over my hips, but when I've tried larger sized patterns, the waistline is huge, and when I've tried to grade the patterns to different sizes at the waist and hips, the skirt hasn't fallen into the proper folds. So this time I pulled out some denim I bought at the thrift store a few years ago that had some damage on it: a few small holes and a little bit of staining that wouldn't come out in the wash. I decided to try a size 10, and cut around the damage on the denim, and was surprised at how well it fits! The waistband is slightly looser than most of my skirts, but isn't extremely large (and is also easy to slip sweaters into). I think it also helps that the skirt is very flared, which makes it easier to pull on over hips of any size. The total flare of the skirt is probably close to a half-circle skirt, maybe a bit more. The skirt is designed with four gores, cut on the bias----it is important to follow the pattern layout for this skirt, because it has you cut out each piece in a single layer, and getting them at the right angles is very important for the skirt to hang well.
Even though I'm not wearing it with a petticoat in these pictures, it does accommodate a petticoat well, and flares nicely when I do wear one. I like that now I have an alternative skirt pattern to my normal gathered dirndl skirts, and that it doesn't add any bulk around the hips when I'm wearing it with a peplum blouse or jacket, like here, where I paired my new skirt with my denim peplum top I finished last month.
I top stitched all the seams and used a thick gold metal denim skirt zipper, for durability. Sewing this skirt is a simple process, but it is important to follow the instructions, even though there are few of them. The skirt has to be basted and hung out overnight so the bias can stretch out before you sew the panels together. It is also helpful to remember to sew from the bottom to the top on all the seams (the pattern reminds you to do so) so the stitches stretch in the proper direction. The instructions for attaching the waistband were different than my other skirt patterns----it has you finish the waistband with edge-stitching from the outside, rather than folding and finishing it on the inside, and the pattern doesn't recommend trimming the seam before sewing the waistband closed, which I found made the waistband stiff without having to add waistband interfacing. Since the bottom hem is heavily curved, I finished it using navy bias tape I thrifted a long time ago and had in my stash. I used a method like the one Bianca from the Closet Historian describes here.
I'm wearing my denim outfit with a thrifted shawl, a big tiger-eye brooch (also thrifted), thrifted leather gloves, and boots that I originally thrifted several years ago and had re-heeled earlier this year. Given my denim, buttons and bias tape were all thrifted too, I feel like I can truly claim that you can find most things you need second-hand shopping. Sewing doesn't have to be expensive. Neither does getting dressed in an interesting way.
I'm very pleased with how this skirt turned out and I've been wearing it a lot since I finished it. I think it is a practical, year round skirt, and could as easily be worn hiking or cleaning as taking a walk in the park.
Mr Rat was kind enough to take these photos while we were out walking with Gia in our local park. The weather is very grey most days, so it is very challenging to get good photos. The landscape has turned very stark: all shades of brown and grey. But there are beautiful bright berries on the bushes, and the evergreens are still dark green.
photo from 'Laura Ashley: the Romantic Heroine' - a show at the Fashion Museum in Bath, England
Mr Rat pointed out a recent New York Times article on modesty and fashion and asked me what I thought about it. After I read it through, I was shocked by how derogatory it was towards modesty, and how many assumptions it made about women who choose to wear modest clothes. Where does this anger come from, I wondered? Is it jealousy of other women confident enough to dress how they like instead of dressing to impress and manipulate others through their sexuality? Is it fear of being considered “unfashionable” and dressed inappropriately if more covered up styles become widely popular again? Is it fear of losing the freedom to wear as little clothing as one wants?
One of the stranger assumptions in the article, I thought, was that modest clothes are flattering only to the young, rich, and thin, because no one else could afford to look so “drab” and “dowdy.” My own observations have been that modest clothes (that do not overly cling and which cover the vast majority of skin) are flattering to a much wider range of ages and sizes than immodest clothes, which demand a perfect body because so much of the body is put on display for other people’s judgment.
I also found it odd that modesty should be aligned so simplistically with “patriarchal oppression,” ignoring the many personal reasons women can and do choose to dress modestly: comfort, style, warmth, practicality (no sunburns in the summer, for instance! No chances of accidentally showing other people your underwear!), or an affection for styles of the past. I can’t see that wearing skimpy clothing is terribly freeing from patriarchal oppression if it then exposes you to unsafe situations with men who “misread the cues” you are sending from your “liberated” clothing choices. Why does “liberation” involve becoming complicit in one’s own objectification? Liberation, freedom----to me, these mean having a range of choices, being able to make one’s own choice from among them, and then having that choice respected by others. I think what bothered me most about this article was its lack of respect for women who make the choice to cover their bodies, and for the range of reasons why they do so, including religious reasons. The writer assumes that women who adhere to their religion’s standards of modesty do so out of oppression by men who want to control and limit their sexuality. She ignores the fact that modesty is also a symbol of self-respect, of control of one’s own sexuality and how it is displayed and to whom and in what circumstances. She also misses that religious modesty is often connected to spiritual values of independence, responsibility, and individual worth. And lastly, she also misses the mystery created by concealment; for as Walter Benjamin wrote, "form and content, veil and veiled are the same."
Mr Rat made the comment that such an article about men’s fashion would be quite ridiculous, mostly because men’s fashion is by nature primarily quite modest and practical, not needing to exhibit the body in order to be confident of one’s control over it or one’s ability to be taken seriously or make an impact on the world. To me what is being debated when people talk about modesty is not women’s fashion, but women’s bodies and who gets to control them and why.
What are your thoughts about modesty? Have any of you read this article? What do you think about the debate between modesty and immodesty? Is there any middle ground?
The trees are bare and wet and the creek is full of fading leaves----our landscape is much starker now than when we first moved in three weeks ago. But there are still ducks that meander up and down the creek and visit our backyard, and there are still a few last yellow trees that dot our walks and glow against the low grey skies.
It is much colder here in Utah than California, and will only keep getting colder over the next few months, so I have been thinking seriously about planning and sewing warmer clothes. This is one of my first attempts at that since we’ve moved. I’ve made McCalls 6209 twice before (here and here) and so I knew already that it has a good fit and is very comfortable as an everyday dress, and I thought the bishop sleeves would be a nice touch to give a basic black dress an interesting element of shape, as well as being very warm for my arms. I made it out of an enormous piece of black cotton flannel that I bought very cheaply at the thrift store----and even after finishing this dress, there is still four yards left, plenty to make another winter dress. The only bad thing about the flannel is that it tends to get wrinkles and linty, but it is so soft and warm that I don't mind it so much. My other idea for using McCalls 6209 is that since it has a relatively fitted top with a skirt gathered to my natural waist that I can wear a wool skirt over it in winter and be extra warm from the layers. Having long, full, flannel sleeves works very well for my wool capes, too, since they keep my arms warmer than my thinner cotton dresses.
Since I have sewn this and shared this pattern several times before, I don’t think there is much to add about it here: I finished the inside seams with pinking shears, interfaced the edges of the back zipper so it wouldn’t ripple, and finished the waistline with a piece of black bias binding on the inside. This acts both as a stay, since it is sewn into the waistline seam, and it also covers the raw edges of the gathered skirt, since after I sew it to the waistline I fold it up and sew the top across the bottom edge of the bodice.
Even though I am thinking a lot about what I need to sew and buy for my new cold weather wardrobe, I am also planning on going home to California for Thanksgiving in a few weeks, and I know it will likely be warm there. My next project may therefore seem a bit unseasonable, since I cut out a lightweight blouse last week that I plan to sew before we go on our trip. And the last project I finished was also made for our trip, too, although I think it will be suitable to wear here in the winter---but more about that when I finally photograph it and post it.
Are any of you sewing anything special for the holidays?
I've been debating with myself whether I should post this or not, since it feels a bit like bragging to share the big pile of patterns I thrifted last weekend, but then I thought that since you are all sewers (and probably have an interest in vintage fashion if you are visiting this blog) that you might be interested in seeing them because some of these patterns I found are rare and unusual; certainly there are a few that I bought that I've never seen on the internet before. Since it will probably be a while before I can sew many or all of them (I found 20, almost all in my size, and very few are missing any pattern pieces----what rare luck!), here are some photos of my 50-cent purchases that delighted me so.
If any of you want closer photos to see the details of any of the patterns (or have suggestions for which I should sew next) leave me a comment!
Mr and Mrs Rat
Mr and Mrs Rat like to sew