I almost gave up on this blouse the first time I tried it on. It brought to mind a quote from L M Montgomery’s Anne of Green Gables: “Look at those sleeves! Oh it seems to me this must be a happy dream. . . It would give me such a thrill to wear a dress with puffed sleeves.” But the part of my mind that agrees with Anne was at war with the part of my mind that looked at those sleeves in agreement with Marilla: “The puffs have been getting bigger and more ridiculous right along: they’re as big as balloons now. Next year anybody who wears them will have to go through a door sideways.”
This blouse is a bit over-the-top for me, but the more I spend time with it since I finished it, the more I think it is not the sleeves (puffy as they are) that make me feel that way, but rather it is the large gingham check that makes the blouse a little overwhelming. But having now worn it out and about, enjoying the comfortable lightweight cotton (bought for $1 a yard at the LA fabric district a few years ago) and the good fit, I think I will keep it for the occasion I’m feeling quite bold. The black-and-white gingham does make me think of late summer picnics and autumn harvest celebrations. I think it will look good worn with my black wool vest, or one of my black jumper dresses.
In terms of construction: The instructions have you stay-stitch every curved edge before sewing, which took some extra time, but was worth it to keep the blouse from stretching out and losing its carefully mirrored pattern. I felt that the princess seams would be difficult (if not impossible) to try to pattern match, so I took inspiration from the post about gingham over on Vintage Gal’s blog where she mentioned that in the 1930s seamstresses would purposefully not match the gingham on their projects so as to conserve fabric and didn’t bother to try to match the gingham, only to mirror it on both sides. I pinked the inside seams and pressed them open, and sewed sleeve heads out of scraps of white fabric, as the pattern instructed, which help the sleeves keep their dramatic poof. The sleeves are actually long, with darts at the elbow, but in these photos I’m wearing them rolled up a little so they look below-elbow length. I made the black buttonholes by hand, as usual, and switched them from horizontal to vertical and changed the positioning so they were in the middle of each black square. The black buttons are thrifted, from my stash, and I sewed them on with white thread for a little bit of subtle contrast. To keep the self-bias neckline binding from flopping open at the top, I sewed on two small snaps. The instructions for early 1980s era Simplicity 5900 are quite detailed, and I got a good fit without having to make any adjustments to the size 8. I recommend it to anyone looking for an Edwardian styled pattern, or a pattern that has sleeves that would make Anne Shirley break out into dramatic exclamations of joy.
I am wearing my new blouse in these photos with one of my Simplicity 7880 skirts, and a homemade sash.
Mr and Mrs Rat
Mr and Mrs Rat like to sew