Mr Rat and I went to Southern California to visit our parents for Thanksgiving, and oh it was sunny and warm! Thanksgiving day hovered around 90 degrees in my parents' backyard, where Mr Rat and I took these photos of my newest attempt at 1990s-era Simplicity 8620. Although I like the pattern, I haven't had much luck with my last two versions: the first (reviewed here) was too wide in the shoulders and the fabric wrinkled badly and didn't drape well enough to really suit the looseness of this blouse pattern. The second (reviewed here) had wonderful drape, but the first time I tried to wash it I made the mistake of putting it in the washing machine on the delicate cycle and it came out weirdly warped and unwearable. I should have tried washing it by hand.
This version is made from a mystery floral fabric that I found at the thrift store a while ago. It has a gentle drape, and I suspect it is actually a lightweight wool, given the hand of the fabric and the way it behaves under an iron. It frayed badly, so I was careful to finish all my seams, mostly with a faux flat-fell finish, and to bind the armholes with some grey rayon seam binding that was also from the thrift store. I decided to use self-covered buttons, which I made with a kit from JoAnns. The fit is the same as my last black rayon version, with a narrow-shoulder adjustment, although this time I decided to add the large collar, which ended up being rather dramatic, but looks nice with the bishop sleeves, I think. I edge-stitched all the seams, sewed the button-holes by hand, and sewed two snaps to the top of the button-placket area, to help keep the blouse closed and neat where the collar meets.
Although the style, color, and pattern are somewhat of a departure from my usual earth-toned solids, I'm pleased with how this blouse turned out, and foresee it being a versatile blouse for all kinds of weather---the lightweight wool making it warm in cooler weather and wicking away moisture to keep it cool and comfortable in warmer weather. On Thanksgiving day I wore it with a homemade necklace made of autumn jasper and my brown Simplicity 7880 skirt (reviewed here).
Now that we are back in Utah, we are also back to grey landscapes, grey clouds, and heavy coats. How do you adjust to the weather when you are sewing? Do you readers always sew seasonally? I thought this blouse might be unseasonable, but I think it turned out to be just right for November in California, and I am hopeful it will make many reappearances here in Utah in the spring.
We’ve been having a hot spell in California, and so I’ve been grateful for all the cotton in my handmade wardrobe. This was an outfit I was particularly pleased with for being cool but still interesting when I wore it last week on yet another 90 plus degree day: the blouse I reviewed here, and the recently completed gingham skirt I reviewed here. I made the citrine necklace, too, which I blogged about recently here.
It was so cool here the past two weeks that I had optimistically assumed that autumn had begun early. This past weekend proved me wrong with a low-90s heat wave that drove me to pick out one of my breeziest of homemade outfits to wear to church: my muslin blouse, reviewed here, and my matching muslin skirt, which though several years old, I have not yet reviewed until now. Since I have already reviewed this skirt pattern before, many times (here, for instance, or here), I won’t go into too many details about construction. I only made two major changes to this particular version of 1970s era Simplicity 7880----I lengthened the skirt, leaving the bottom hem on the selvedge of the muslin (I think it was 35 or 37-inch unbleached muslin, which hits me at the high ankle), and I used a button to close the back rather than a skirt hook and eye as most of my other skirts are finished.
Even though it was very warm when we walked out to take photos, there were a lot of beautiful flowers to admire, including an enormous sunflower patch at the school garden next to the monastery where Mr Rat and I like to walk on Sunday mornings. There were bees busy everywhere, and Mr Rat got some lovely photos of them intent on their work, their legs fat with pollen like little yellow chaps. He also got his coveted butterfly photo in the monastery gardens: a beautiful big swallowtail that circled us and landed on the fig tree, then drifted off and joined with another swallowtail who challenged it to an upward duel of spiraling until they were lost from sight in the redwood trees.
I’m wearing my homemade muslin outfit with one of my favorite straw hats that I bought five years ago at a farmer’s market stand, turquoise jewelry given to me by my thoughtful and generous mother-in-law, and a thrifted shawl. My clogs are Lotta from Stockholm, three years old and still wearing well.
So many of my favorite fashion/sewing blogs have bemoaned the recent racist rallies here in America and expressed that it makes them feel like their websites are shallow or frivolous in the face of such disturbing events. I’ve thought about this a great deal over the past few weeks as Mr Rat and I talk over the news, and I don’t think that blogging about sewing or clothing should be so easily dismissed. Our passions are what make us human, and sharing them is what keeps us kind. It is an act of optimism when we are feeling overwhelmed with darkness to keep on working and making things---whether art or clothes or ceramics or poetry or music. To make something ourselves and share it is to make a modest contribution towards a kinder, more generous, more creative world. Instead of feeling despair, let’s resolve to be more compassionate towards those around us, and keep improving whatever corner of the earth we inhabit.
Mr Rat gave me some beautiful stone beads for our recent wedding anniversary. I chose the colors: yellow, green and grey. I made necklaces and earrings and bracelets out of them, and have been wearing them often since.
This necklace is made of citrine nuggets. I love the vivid deep yellow—it reminds me of Van Gogh’s paintings.
This necklace and earring set (I also made a bracelet) is made of green jasper and onyx. The jasper reminds me of reptile skin.
This necklace and earrings are made of grey zebra jasper spaced with silver plated beads. I love to see the differences between stones. They are all similar, but each different, wonderfully unique.
Monday May 1
We had a dentist appointment first thing in the morning and the dentist complimented me on my style and asked me where I shopped for clothes. I make most of my clothes, I replied, and she asked me if I made my jewelry too, since it matched my outfit so well. Yes, I said, I do that too.
Mr Rat is wearing his chambray western shirt, reviewed here.
Mrs Rat’s necklace and earrings are made of yellow-ochre colored jade. I am wearing my muslin square-necked blouse, reviewed here, and my poplin skirt, reviewed here.
Tuesday May 2
We stopped by a local school during our evening walk to take a few quick photos, and found the classrooms all decorated with very mysterious looking signs and symbols.
Mr Rat is wearing his second Hawaiian shirt, reviewed here.
Mrs Rat is wearing her brown plaid dress, reviewed here. Although it is hard to see in this photo, the necklace is made of autumn jasper.
Wednesday May 3
On the hottest day of the week, I am wearing my kimono sleeve shawl collar blouse, reviewed here, and my navy skirt, reviewed here. My necklace and earrings are made of sodalite.
Thursday May 4
Mr Rat is wearing his Patterns Pacifica Hawaiian shirt, reviewed here, and his patched Levis jacket, which I posted about here.
Mrs Rat is wearing her Laura Ashley jumper, reviewed here, and one of her favorite white shirts, reviewed here.
Gia, as always, is wearing her one and only lovely fur coat.
Friday May 5
Mr Rat is wearing his green twill jacket, reviewed here.
Mrs Rat is wearing her brown smock dress, reviewed here. My necklace is made of a mixture of stones left over from other beading projects.
Saturday May 6
I am wearing my brown ankle-length skirt, reviewed here. My sweater and pin are vintage, which I think is okay with my pledge, since neither of those garments are things I know how to make myself.
I’m holding a letter I wrote to my friend on some recently thrifted vintage stationary charmingly decorated with strawberries and matching strawberry stickers.
Sunday May 7
I am wearing my muslin blouse again, reviewed here. I haven’t blogged about this muslin skirt yet, which is made from my trusted 1970s era Simplicity 7880.
The surprise for me about the first week of Me-Made-May is that I didn’t feel as challenged by wearing my homemade clothes and jewelry as I did taking photos of what I was wearing every day, and often what Mr Rat was wearing, too. The lighting is always difficult in our apartment, the weather ricocheted from a heat wave to a cold weekend, Mr Rat doesn’t get home until sunset most days, which made getting non-blurry photos difficult----all the usual problems for anyone trying to document a daily project.
I also had some bad days this week, and couldn’t always manage a smile. Since I am trying to document the whole month, I thought it would be more honest to include those photos than to skip over them and leave them out. I try to keep things pleasant here, and as positive as I can, but I’m sure we’ve all felt the difficulty of those days when getting up and dressed at all is a challenge. I am feeling a lot of uncertainty and anxiety right now, which is one reason why I look to getting dressed as one of the few times when I get to make a choice that is all my own, even if it is just what color blouse or what piece of jewelry I get to wear that day.
We had an unusually sunny Sunday after a few days of heavy rain, so the three of us went over to the monastery to enjoy the greenness of the garden and the heady spring flowers that scent the air. I wore a new jumper dress that I finished last month using 1970s era Butterick 6000 as my starting point. Originally I intended to add long sleeves, but when I set them in I didn’t like the way they looked, so I cut out the sleeves, enlarged the armholes slightly and finished the inside with off-white bias tape. The bodice is lined, since the ivory cotton I found at the thrift store is slightly sheer on its own, and I finished the waist seam with bias tape on the inside, which acts as a waist stay and covers the gathers so it has a clean finish on the inside. As far as other adjustments go, I also cut the skirt wider than the original skirt in the pattern, and I took a little wedge out of the middle of the bodice front when I cut out the pattern, with the wider point of the wedge at the neckline tapering to nothing at the empire waist, since I’ve found in the past that low scooped necklines can sometimes be a little loose on me. I dislike rippling zippers, so I was careful to interface the edge of the fabric along the full length of the zipper, and then I hand-picked the zipper into place. I’ve found that doing my zippers that way solves the rippling zipper problem, and they always turn out straight and crisp.
You’ve probably already noticed if you’ve been following our sewing journal that I have a penchant for raised waist dresses. They are so very comfortable and easy to wear. I’ve sewn Butterick 6000 before because I like the empire waist and the simple lines of the design, but sadly the blue cotton dress I made from it last year got a big stain on the skirt that wouldn’t wash out and so I had to retire it before I ever got to photograph it for this blog.
I wore my new jumper with one of my thrifted pashmina shawls, a necklace I made myself out of blood agates and gold-plated spacer beads, and jade and cats-eye rings that I inherited from my grandmother.
Happy Easter to all Christian readers, and happy spring (or autumn if you live in the southern hemisphere) to everyone else!
I spent almost a week at the end of March sick in bed with one of those violent colds that make it hard to do anything with either head or hands. When I am under the weather my favorite thing to wear is a smock dress. They are loose and easy and comfortable, and if I put on a necklace I feel a little bit put-together even if I am otherwise worn out.
I made this smock dress about two years ago using an old Simplicity project runway pattern 3529. It’s been a versatile dress: sometimes I wear it as a working smock, sometimes as a summer dress when wearing anything other than loose cotton feels unbearable, and I even occasionally use it as a nightgown when my proper one is in the wash. It is made from a large length of black cotton that I bought in the fabric district in Los Angeles. Since I had so much fabric to work with, I lengthened the pattern a great deal, and widened it, too, until it is ankle length and very loose. I made the pattern in a size 8, and although it is a little roomy in the shoulders, I don’t mind it. It’s a dress where more ease is a good thing.
I am wearing my smock dress with a homemade necklace made of adventurine beads. I was still a little sick when I took these photos, so if I look less than my best, hopefully you’ll understand why. Thank goodness for books when you are ill and cannot go out. They take us into other worlds, other lives, for a while.
I planned this blouse to be wearable with any of my Simplicity 7880 skirts, any of my sets of homemade jewelry, and any of my shawls that I’ve collected at thrift stores over the years. Unbleached cotton muslin is a beautiful color and so pale and neutral that it matches everything. The 1970s era Simplicity 8356 pattern that I used for my blouse is simple but interesting with its square yoked neckline and slightly puffed raglan sleeves gathered into buttoned cuffs. I used square buttons that I saved off of an old shirt to echo the square neckline. The square neckline takes some patience and precision, but otherwise the sewing is not complicated for a sewer with experience. After having made so many blouses, shirts and dresses with buttoned cuffs recently, I found it interesting that this pattern uses a facing for the sleeve slit rather than a continuous lap or fold and edge-stitch method. I tried to take a photo to show part of the facing going up into the sleeve. As far as finishing details: I did lots of edge-stitching, as usual, and finished my buttonholes by hand since my machine doesn’t like to make them.
All of the necklaces and most of the earrings I am wearing in these photos are made by me. The necklace, earrings and bracelet I am wearing in the first photo in this post are made of rose quartz and chrysoprase. It astonishes me what beautiful stone beads you can buy for so little compared to buying finished jewelry at the store or online. Jewelry making is very quick compared to sewing, and I find it restful to lay out the beads and string them. Do any of you make jewelry? Do you ever plan sewing projects around your accessories or jewelry that you want to wear more often? Or do you ever make jewelry to match your sewing projects?
This necklace is made of an alternating pattern of moonstones, rose quartz (one of my favorite stones) and a pale green bead I can’t quite remember---it might have been adventurine?
This necklace is my favorite: it is made of enormous beautiful tiger eyes. Tiger eyes are my favorite stone of all---I love the way they gleam and glow and shift.
This necklace is made of off-white agate nuggets with silver plated spacer beads.
This necklace is made of pink lepidolite. The stones have a beautiful matte surface.
This necklace is made of alternating brown jade and ocean jasper, one of my new favorite stones along with agate---jasper and agate are so wonderfully varied in color and pattern! I didn’t know until I started beading that jade also comes in so many different colors beyond green and lavender.
This necklace is made of green marble. They are the largest beads I’ve ever used, and I like the way they remind me of a child’s drawing of what a necklace should look like.
Simplicity 5976 from the 1970s is likely one of my most exotic vintage patterns, with its angel wings and bows and decorative bands. I’ve had all kinds of reactions from other people when wearing the dress I made from it, everything from being reminded of Pre-Raphaelite paintings to graduation or judicial gowns.
I sewed my version out of black broadcloth trimmed with black cotton calico patterned with little black flowers. After the bands were attached using the machine, I sewed black ribbon around the edges of the bands and the square neckline by hand. While the instructions were not difficult to understand, the pattern is complex enough in construction that I would not recommend it for a beginner. Having some previous experience makes it satisfying to sew instead of frustrating. The bands and trims took some time to apply, but were well worth it for the interesting effect they give to the finished dress. It is unique.
It is also comfortable to wear, and versatile for most kinds of weather, since in the summer I can wear it alone with sandals, and in the winter I can wear it as I am doing here, with a turtleneck sweater and long tights underneath for warmth. The necklace is handmade also, using glass beads from JoAnns and jewelry-making supplies that my husband gave me for Christmas last year.
As the days get shorter, so too do Mr. Rat’s and my chances to photograph the things we’ve been sewing. So we are trying to fit in a little bit of photography on the weekends when we go walking. It is a pleasure to be outside in the sunshine and feel the warmth on our faces just like the squirrels who so quickly hump their way through the long green-yellow grass to hide their acorns for the oncoming winter. Yesterday we walked to the local monastery gardens, one of our favorite places, and we were enchanted by the late-season scattering of roses, the cicadas chirping and rasping in the bushes, the ever-present squirrels scrambling overhead busy at their work, and the other flowers that opened up for a brief afternoon of warmer weather. We took along Marianne Moore’s book of ‘the Fables of La Fontaine,’ and read a few of them together on a shade-dappled bench. We both liked the poem about the sun and the frogs. It was a good time to rest from worry.
I wore my birthday dress, made from vintage Simplicity 5180, circa 1972. Most years I make myself a birthday dress to wear on my birthday or the weekend when we celebrate it. It makes the day feel a little more special. Do any of you readers make your own clothes for special occasions? I often make something to wear for Thanksgiving, too, but don’t always manage anything new for Christmas.
I made Simplicity 5180 in a size 8, as usual, and was impressed by the fit. There is enough ease for comfort without losing the slim and fitted look. This dress had quite a few darts: for the bust, the shoulders, the lower back, and the elbows, but was well worth the effort. I find darts to be a part of the sewing process that has gotten far less fearsome the more I sew them. Using a tailor’s ham underneath when pressing the darts helps a great deal, as does flattening out the tip of the dart by sewing a few stitches right on the edge of the fabric before tying off the point.
I took my time with the plaid matching and was pleased with the result. The fabric, a dollar-a-yard brown plaid cotton from the fabric district in Los Angeles, was very pleasant and easy to work with. It was crisp and easy to sew and didn’t pucker like the lighter broadcloths do. The midriff is fully interfaced. The only change I made was to widen the skirt, although I kept the same silhouette and style of gathers as the pattern. The pattern also includes removable cuffs and collar, which I have cut out in white linen, waiting on the sewing desk. Once I’ve finished sewing those, hopefully Mr. Rat will photograph the dress with collar and cuffs again. Although I like wearing it plain, as I did here, with the tiger-eye necklace and bracelet that I made myself with the beading supplies Mr. Rat gave me last year as a Christmas present.
Mr and Mrs Rat
Mr and Mrs Rat like to sew