I apologize for the grainy photos----but at this point in the winter, I will take any weak ray of sunshine that I can get. Photographing indoors right now is much easier for most garments than outdoors while there are still mounds of snow everywhere, and ice patchily melting.
This is actually a garment that I sewed in November of last year to wear on our Thanksgiving trip to San Diego. When Mr Rat and I visit his parents, we are outdoors a lot, and sometimes help out cleaning up after the many animals on their property (Mr Rat's mother runs a successful petting zoo business and has miniature horses, ponies, miniature goats, ducks, chickens, and many beautiful rabbits scattered around their large yard). We also like to pick fruit and weed Mr Rat's cactus garden that he planted when we moved away from California and had to leave our potted cacti and succulents behind. While I do wear dresses and skirts while I'm in San Diego, sometimes it's useful to have my legs fully covered in denim, so I decided to attempt to make myself some jeans before we went last fall.
I was lucky enough to thrift a large piece of dark, heavy denim two or three years ago----almost five yards, I think, and 60 inches wide. It was very inexpensive, so I decided to go ahead without doing a muslin first and just try sewing up a pair of denim trousers using the 1970s Betsey Johnson pattern Butterick 3846, also found at the thrift store. I've made some pants from size 8 1970s patterns before (a while before I started this blog) and found that they fit----but just barely. They were too tight to be comfortable. My measurements are really closer to a full size larger for my lower body than my upper body, so I decided that making a size 10 might work And it did, even better than I thought it might. The crotch depth is rather low, but I think that goes with the 1940s-style of these wide-legged pants. I think the lower rise is necessary to make this style of high-waist pants comfortable to sit and walk in, since the denim has no stretch. The darts at the front and the back make the fit quite good, I think, and I like the high waist and wide waistband that make it easy to tuck in my shirts. I was careful to finish my seams with machine stitching on the inside to prevent fraying, I edge-stitched the waistband and the hem, and I used some heavy buttons that I bought at JoAnn fabric stores for the waistband closure and a metal jeans zipper for the front fly (my first time attempting one of those!). I did the buttonholes for the waistband by hand, which was a bit of a chore with such heavy fabric. But a thimble made it happen, and I put some fray-check on the inside, just to make sure it was as stable as possible. I didn't add the patch pockets this time, although I think I might the next time I need to make some pants. I did add some belt loops out of left-over scraps so I can wear a belt when I wish. The other thing I did to make the pants more sturdy was to sew the crotch and inner leg seams twice, to help them withstand the strain of movement. I left the hems rather long so I can wear my jeans with clogs, but when I'm wearing them with flats I just roll up the hems a little into a cuff, which has a rather 1940s look.
I was really impressed by how well our 1940s Singer 15-91 sewed through denim! On my old contemporary machine I would have been worried about straining the motor, but with our all-metal vintage Singer and a jeans needle, it was no problem at all.
I'm wearing my still-pretty-new jeans with a chambray shirt that I found on the clearance rack at a local thrift store for a dollar. It had a big tear near the original cuff, so I cut them off, sewed up a new hem on my machine, and rolled the sleeves up. I don't often do refashions, but occasionally I find something at the thrift store that I like well enough to take home and mend, like this shirt. I love the color and the faint floral pattern, and think it will make the perfect comfortable cleaning/work shirt.
I'm also wearing my old Lotta from Stockholm clogs and a thrifted sweater.
Here is my first completed project from my "Winter Make Nine" plans. A photo of the pattern I used for my new blouse, McCalls 5771---A 'Marlo's Corner' pattern circa the 1970s in my usual size 8---is in my previous post. McCalls 5771 is a very simple blouse pattern, perfect for a beginner who wants to try making a vintage, sightly Edwardian looking shirt. There are no bust darts, so the fit is slightly loose. The sleeves are gathered, (and rather more generously puffed than I thought they would be based on the pattern envelope illustration) which made setting them in very easy. The cuffs are very basic; in fact, I'm not sure how to describe the way they simply fold over to button without a lap in-between----just fabric that has been folded up and stitched. The collar is also basic: just a long rectangle that is set on more in the manner of a waistband than other collars I've done. I'm not sure about the shape it gives the collar; it tends to flatten a little in the front where it buttons. But overall, I think it is a good basic shirt design, and a quick sew (at least up until the time for buttonholes and buttons).
The material I used was a thrifted cotton sheet with small grey stripes. I edge-stitched the collar, front, hems, and cuffs for crispness, pinked the seams on the inside, did the button-holes by hand, and used some plain white buttons that I bought on sale at JoAnn fabrics to finish everything off.
I'm wearing my new blouse in these photos with my still-serviceable old grey wool skirt and my dark grey wool cape. And of course two warm pairs of socks, a petticoat, some thrifted grey leather gloves, and my old leather boots. We were lucky to get these photos before the next storm blew through and left almost a foot of crusty white snow. Trying to document sewing projects in the winter time is always challenging.
This post is catching up from last year, as I made this smock and matching purse in the fall and only managed to wear them outside once before snowy weather blew in. Now that we are in the depths of winter, I've given up on the idea of photographing out in the landscape (at least until I have a heavy wool garment to share), and am going to try to take some photos in my studio on sunny days instead. And maybe this way I can catch up some of the things that I sewed last year and haven't had a chance to review yet.
My sewing cabinet housed almost 5 yards of this nice rust-colored corduroy for four years or so from the day that I originally found it at the thrift store to the long overdue day when I finally chose a pattern for it. The pattern I finally picked out, 1970s-era McCalls 3483, was also a thrift-store find. It is a size larger than I usually make, which made me uncertain about buying it, but for 50 cents I thought it was worth a try. When I imagined pairing it with my long-neglected corduroy, I thought that going a size up wouldn't make a difference to a loose over-garment, and I was right. I was actually surprised that I didn't need to narrow the shoulders, and the fit was good without any adjustments. I remember reading in one of my sewing books that the difference between pattern sizes is about 1 inch overall---which is a big difference if you are trying to make a fitted garment, but is very little difference in a loose or flowing garment so long as the fit is good around the shoulders. The one curious bit about the fit of this garment that I noticed is that the smock looks much shorter on the drawings on the pattern-cover compared to how it fits me in real life---which is almost down to my knees. I'm an average 5 foot 5 inches, in case any one else out there has this pattern and needs a reference for the length.
Since corduroy tends to shed and fray, I was careful to do faux-flat fell stitching on all of the seams, which had the nice benefit of giving them a top-stitched look on the outside. I also did top-stitching on the collar to keep it neat, as well as the cuffs and the narrow hem. I also used some scraps of old thrifted bias binding and sewed them by hand to the edges of the inside facing and sleeve openings so they won't have trouble going through the wash. This gave them a clean and neat finish, as well. McCalls 3483 has a lot of nice details: over-sized patch pockets, puffed sleeves with big cuffs, an exaggerated collar, and a neat yoke opening. Since the button closures called for loops, and I didn't want to deal with the hassle of trying to turn corduroy inside out (that sounds like a recipe for a headache), I cut little pieces of the selvage of the fabric and rolled them into little tubes and sewed them shut by hand. Then I made them into button loops and sewed them on to the yoke and cuffs by machine. The buttons are from JoAnns. I took my smock with me to see what kind of ball-shaped button I could find that matched the fabric, and was really happy to find these nice faux-leather ones in just the ride shade of ochre.
I think this smock makes a stylish alternative to wearing a sweater indoors all winter long. And in the fall and the spring, it is the perfect lightweight pullover jacket. I made a purse to match it out of scraps leftover from my smock and a wooden purse handle set that I bought half-off from JoAnns for the grand total of $4! The inside of the purse is lined with scraps from my Folkwear shirtdress. The last of the corduroy scraps leftover from both smock and purse recently got used by my husband as details on a shirt he is almost finished sewing. This ended up being a rather thrifty outfit, especially worn over my old brown smock dress that has some paint stains on it (which my new corduroy smock nicely covers up), and worn with the clogs that were given to me for my birthday. It makes me glad that we can take something that no one wanted and use every scrap of it to make not just one, but three interesting new useful things that will bring pleasure to Mr Rat and me.
I know this photo is terribly blurry, but Gia looks so charming that I couldn't resist adding it.
I feel as though almost all of my posts now start with an apology for the present irregularity of posts here on the blog, and I wish I could say that it is likely to change. . . But probably it won't, and posts will likely keep on being spotty for the rest of this year at least. 2018 has really been a rough one for Mr Rat and me. Every month has brought new challenges, unexpected problems, and all kinds of daily difficulties. November was no exception: first Mr Rat was sick with one of those head colds that makes it hard to sleep at night, and then we traveled to California for a week to visit his parents for Thanksgiving (luckily, he was feeling better by then), but when we got back I came down with some version of what he had. Between that and spending more weekends at family events now that we live closer to my parents and siblings, we just haven't had too many chances to take photos for the blog, even though we've both finished projects recently and have several other things in progress on our sewing table.
So I apologize! And hope that you will all be patient with the way life makes it hard to be consistent. Both Mr Rat and I care about documenting and reviewing our sewing projects for this blog, so don't worry----there will still be posts here, and I really do hope they will be more regular again next year. But until then, we'll just keep doing the best that we can.
All that being said, here are some photos I took with the tripod in the studio of a skirt set that I made to wear to California for Thanksgiving. Skirt sets are great to travel with, since I could wear the skirt with the blouse and then each separately with other tops and bottoms to make multiple outfits while packing very little. This particular set, which I sewed out of a $2 cotton queen-sized sheet that I found at Savers a few months ago, was also the perfect weight for enjoying the warm 70-degree California autumn days. I chose two tried and true patterns for my skirt set: my favorite 1970s skirt pattern Simplicity 7880, and the 1980s kimono-sleeved blouse pattern Simplicity 7460 that I sewed for the first time in the spring. What I didn't like about my first version of this pattern was that because the blouse is quite loose, it tends to shift around a bit while I wear it, making the lower v-neckline difficult to wear modestly. So this time I chose the higher, rounded neckline, which solved that problem nicely. It also makes it easier to wear this blouse under crew-neck cardigans, which is the only way I can wear it now that we've come back to Utah and found winter well arrived and settled in on the doorstep. But I know I'll be wearing it sweater-less next summer, and enjoying its versatility, practicality, and wearability. My favorite (and most worn) sewing projects combine those aspects with some artistic detail or bit of originality---in this outfit I think it is the subtle Victorian-like stripes that first drew me to buying the sheet, and also the spacing of the tiny buttonholes down the center front in sets of two. It took a long time to make so many buttonholes by hand, but it was worth it. I reused some tiny tan buttons salvaged from some old worn-out thrifted shirt that got turned into scraps some time ago to finish my top. The skirt was very simple and quick to make, since I used the existing deep hem of the sheet as the hem for the bottom of my skirt. I used waistband interfacing for stiffness, and also sewed in by hand a vintage metal zipper that I thrifted a long time ago. The seams are all finished with pinking shears.
And. . . I cut my hair. I've been thinking about it for a long time, but kept putting it off, and putting it off. I haven't stepped into a hair salon in about seven years. For most of that time, it just wasn't affordable for me to get haircuts, so my mom or Mr Rat would kindly trim my hair. And now that we have enough income that I can get my haircut without worrying about overwhelming our budget, I have been too frightened to go. When I was younger, the adults around me told me that I would grow out of my shyness. But I haven't, and the idea of talking to strangers can be enough to keep me from going outside on some days. Right before our trip I had a day where I was feeling up and brave and I decided I would walk to the salon first thing in the morning after my husband left for work----and I finally did it. My long hair was limp and straggly here in Utah because the humidity is so low. But with my new short hair, it has more wave and body again. Some days it curls a lot more than others, and most days it's a bit messy and wild, but overall I'm pleased with the change. Mr Rat likes it, so I think I'll keep it awhile.
I hope that you are all having a good close to your month, and that your start of December is peaceful, rather than stressful. The holiday season can be a hard one---but with some planning, it doesn't have to be more difficult than it has to be. At least, that is what Mr Rat and I are hoping. We are planning on going to a Christmas concert this weekend to celebrate the season. Is there anything that you do that is special to mark the upcoming end of the year or any of the many holidays that fall within the next month?
I've made 1970s-era Simplicity 8611 before in black broadcloth, and it is a much loved member of my closet. Jumper dresses are so versatile, since any change of blouse makes them feel like a new dress altogether. In these photos, I am wearing my new golden version of Simplicity 8611 with my homemade peter pan collar blouse and one of my first ever homemade bags. I didn't use a pattern for my duck-goose bag---I found the panel of printed fabric at Goodwill and sewed two of the pieces together, using big scraps of muslin from my scrap box to interline it for some structures and some large pieces of linen leftover from my husband's shirt to line it. The wooden handles are from JoAnn fabric stores, bought with a coupon. So the grand total of the cost for my new tote bag was about $6. Tote bags are so useful for library trips, walking to the grocery store, or just carrying a sketchbook and a book of poetry to the park. On Sundays (like the one when these photos were taken) I use my handmade bag to carry my scriptures and a shawl to church.
The cotton for the dress is also a Goodwill find. In its previous life it was a king-size sheet, but I like it better as my new dress. I've worn it quite a few times since I finished it three weeks ago. As Mr Rat remarked, it matches the leaves exactly, and it pleases me to wear something special to enjoy the spectacular color of our neighborhood. Mr Rat and I watched an episode of 'Autumn Watch' on PBS recently and learned that people like us who go out to enjoy the fall foliage are called "leaf peepers." Autumn Watch is an unexpectedly funny show: in the first episode they aired hilarious (and sometimes tragic) footage of squirrels fighting over cached nuts, and bears eating tree-loads of apples.
Since I've sewn this dress before, its construction was quick and easy and had no surprises. I pinked most of the seams, lined the bodice with the same fabric that I used to make the rest of the dress, hand-picked the zipper, and used the big scraps left over to make door-cozies (my sister says that's what those tubes of stuffed fabric are called in England) for all of our downstairs doorways. The townhouse we're renting has two big sliding glass doors downstairs plus a front door and a garage door. This means that during the winter it is frigid and drafty downstairs. So now thanks to the leftovers from my new dress, our apartment is remarkably warmer. And that's a very nice thing, since it makes looking forward to winter not so hard.
Green is an autumnal color---it is the color of early autumn, as the leaves just start to change golden, and the cooler weather makes the grass a tender color. Our neighborhood is very green right now, and I am glad of it.
My wardrobe is also a little greener after I finished my newest version of my favorite 1970s-era Simplicity 7880 skirt pattern. This one is made of green broadcloth from my spring trip to the Los Angeles fabric district with my mom. The green pin-striped wool that I made my matching vest out of was already in my stash from a lucky thrift store find several years ago. While I did succeed in making a wool vest last year, there were some things I didn't like about it: it tends to wrinkle in the back because it is a little too long there, and the pattern was unlined. So I decided I would try a new vest pattern that I found at the thrift store since we moved here: Simplicity 5204. I wasn't certain how this would work out, since it is a teen-sized vest, 11/12. But the measurements are close to my normal Miss size 8, so I decided I would try it out. And it fits almost the same! I compared it to my black vest and found it is almost identical. But there are a few differences that make this version my preferred one: it is lined! It is also darted instead of princess seamed----I don't really mind the difference there. And the other thing I prefer about it is that it is designed with small slits up the side (I added one to the center back seam as well) which takes care of the wrinkling and bunching problems I had with my last one.
Other details about the vest: I lined it in the same green broadcloth that I made the skirt out of. I stitched all the darts down by machine, and edge-stitched all my seams. Worsted wool is very springy, and I am not adept enough with the iron to make it behave with steam alone. I did the buttonholes by hand, as usual, and added a few more for that old-fashioned look. The buttons are from my stash, part of a big bag I thrifted a few years ago. The contrast between the brown and green is very gentle, and matched my new thrifted basket-purse, and my new thrifted brown leather shoes----which I like so much! My new shoes remind me of the Edwardian style ones that American Duchess is releasing, but at a much lower price point: $6 from Goodwill is a lot more affordable for me than $160. Although maybe someday I will have enough spending money to support independent businesses as well as the thrift store.
The rest of my outfit was thrifted as well: the tumbled stone charm bracelet (missing a lot of its charms, but I like it anyway) is from a few years ago, and long-time readers might remember my bow-tie blouse sewn from a thrifted sheet.
We are lucky to rent in a very verdant condominium complex. The buildings aren't new, and the little roads are full of potholes, but the somewhat wild landscaping is beautiful. We have a little green creek that runs through our tiny backyard. As we wander through the complex there are ponds full of fish, turtles, sometimes geese, and always many ducks. We've gotten used to their raucous laughter----sometimes even in the nighttime. It's more pleasant than the sounds our human neighbors made in some of our previous apartments. Mr Rat took all of these beautiful photos very close to home as we gave Gia the short walk that is all she can manage anymore. But how glad we are, that our short walks are so pleasant! We are so grateful to live where leaves and sky and water all meet together.
In other ways, I haven't been feeling very lucky because I've been sick a few times this month. It's one reason why posts here have been infrequent again. But the other reason is because I had the novel experience of being a pattern-tester for an independent pattern company. Mr Rat took some photos of my new garment that I made but I can't share them until the pattern is released, and I'm not quite sure when that will be. But I will try to keep an eye out so I can finally post them for you all, along with some notes about my experience.
Luckily, I have been sewing other things and expanding my fall wardrobe, so look forward to some new posts here as soon as Mr Rat can take some more photos with me! We have some plans for photos the next few weekends, and Mr Rat has finished a new shirt which I am excited to photograph and he is excited to share with you.
I hope you are all having an illness-free change of the seasons, and are finding lots of reasons to be outside while the weather is so gentle. At least, I hope your weather is gentle, and not still in the extremes of summer (or winter, for any of you in the southern hemisphere) still!
This past Sunday while we were at the park taking Gia on her evening stroll, Mr Rat was kind enough to take some pictures of this dress I made from 1990s-era Simplicity 7752. I have been wearing this comfortable, easy shirt-dress a lot since I finished it at the end of May, when some of you might have seen it here on the blog or on Instagram.
It is an easy dress to put together, and would be a good pattern for someone just venturing into dressmaking, I think. The bodice has no darts, the facings on the skirt are simply folded over, the cuffs are made in one piece without needing a button closure, and the overall fit is loose and forgiving. I made my version out of a $4 cotton-blend sheet that I found at our local Goodwill thrift store. The collar and cuffs are made from scraps leftover from another sheet that I used to make a blouse recently. The buttons were also thrifted, a long time ago. I have a jar full of this particular style of white buttons, which I use on a lot of my casual sewing projects. I used some scraps of bias tape to cover the waist-seam on the inside of the dress, and did lots of edgestitching to keep everything crisp. My buttonholes took me the most time since I sew them by hand, but it is a relaxing thing to do while watching Masterpiece Mystery shows.
I like the peter-pan collar and the simple, breezy, comfort of this dress. I think this pattern will likely become a favorite, as I've already cut out another version in navy blue, with a white collar and cuffs. I will probably use the same white buttons on that one, too, I would highly recommend this pattern to anyone looking for a simple sundress. Although I can imagine this pattern working just as well for fall or winter, sewn up in a nice warm flannel.
I've missed posting here---I've missed taking photos with Mr Rat----and I've missed all of you, and the interesting conversations that we have. This summer has been a hard one, and taking pictures and updating the website have both fallen by the wayside. Now that a few of the hard things are over and we are in the midst of coming to terms with some of the other difficult bits, I hope that we will be able to post here more regularly again. My goal is to manage a post at least one to three times a month. It is such a pleasure to have this project to work on together with Mr Rat: a little world of creativity to inhabit and develop here on our shared website, a record to keep of our efforts and growth. I don't want to let it go, and don't think that we are currently facing any life changes that will make continuing our work here impossible----it just gets hard sometimes when other things need our attention for a while.
I've had my copy of late 1960s-era Simplicity 9486 for at least two years now, and have always liked the look of the high waist, full skirt, ruffled sleeves and square neckline. Recently I found a large pale blue gingham sheet at Goodwill (much like the one I used to make this dress in the spring, just a shade darker) and decided that this would be a good time to try this dress out: at the height of summer, when comfortable, light dresses are the best thing to combat daily 100 degree Fahrenheit temperatures. Simplicity 9486 didn't disappoint. My only adjustments were to widen the skirt quite a bit, since I like freedom of motion that fuller skirts give me, and to use narrow seam allowances at the back of the bodice along the center-back zipper, since I found the bodice to be rather tight around my ribs and I had already gone too far in the sewing process to let out the side seams. In the future, I will remember to add a little bit of allowance at the side seams along the ribs, for ease of breathing and comfort. Otherwise, I'm very pleased with the fit: I like the higher square neckline, the four darts on each side of the bodice give it a lot of shaping, and the sleeves have a nice shape and pleasing amount of puff.
As usual, I edge-stitched around the neckline, interfaced the fabric along the zipper to keep that area from rippling, inserted the zipper by hand with a prick-stitch, and finished and stayed the waistline with a piece of bias tape which I sewed into the waistline seam and then folded up over the trimmed waistline gathers and sewed to the bodice to completely cover the raw edges. I pinked the other seam allowances and used some scraps of white bias binding to make the casings for the elastic at the wrists.
I'm wearing my new dress with a new-to-me $3 straw hat that I also found at Goodwill. Mr Rat took these photos during golden hour at the park down the street from the complex where we live. The park has an arboretum on the other side of the creek from the play areas for children. Mr Rat and Gia and I had a lovely, peaceful time wandering under the trees and admiring the flowers and bees that are still enduring despite the extreme temperatures all month.
On a different note: I do have to admit that I feel uncertain about wearing light blue. I like to wear navy and feel like it is a good color for me, but I find it hard to tell whether light blue is an unflattering color on me or whether I am just more comfortable wearing mid-to-darker shades than lighter ones. Do any of you have any advice about this? Choosing colors is such a subjective process. Light blue does feel very summery to me, so perhaps it doesn't matter whether or not it is a flattering color, so long as it is a happy one.
What do you all think about choosing colors for sewing projects: do you only choose flattering colors to sew with, or do you sew with any color that strikes your fancy and makes you pleased?
Monday May 28 - Day 28
This was Memorial Day, a bank holiday in the USA, so Mr Rat and I got to stay home. Since I knew I'd be doing some housework, spending time in the studio, and going walking (stormy weather or no), I chose to dress for warmth and comfort and wore my flared denim skirt along with one of my rare t-shirts and a thrifted sweater.
Tuesday May 29 - Day 29
I wore my denim peplum blouse and my long black Simplicity 7880 skirt.
Wednesday May 30 - Day 30
The weather started to feel summery so I pulled out some older favorites: my Laura Ashley jumper dress and my puff sleeved muslin blouse.
Thursday May 31 - Last Day
I wore my just-barely-completed new summer dress, made from a 1990s pattern. The dress and collar and cuffs are all made out of thrifted cotton sheets and the white buttons are thrifted too, from a long time ago. I'm glad that I finally tried this pattern, because I can envision it becoming a firm favorite. It could easily be redrafted as a loose blouse, too.
Things I have learned from participating in Me Made May 2018:
I am amazed that in a month's time I rarely wore the same garment twice (skirts excepted) and yet I still didn't wear all of my hand-made wardrobe options. I don't have an especially large closet----I think it's average, or even rather small by American standards. So that shows me that my whole wardrobe is really wearable, which gives me a lot of choice. Over the last six or so years I've made a lot---enough to gradually switch almost all my clothes from thrifted to handmade (right now I have two button-up shirts, one drawer of knits, sweaters and jeans, and one coat that I am in the process of relining----everything else is handmade by me). This weekend I'm going to see about selling my faux-fur winter coat because I have plans to make my own heavy wool coat. Then my wardrobe really will be homemade, for all seasons. I'm really pleased with my progress, and glad to have the many combinations I can make with all of the homemade clothes in my closet.
I don't enjoy taking a photo of myself everyday, but it is helpful in making good sewing plans for the rest of the year. Looking at photos of myself wearing my handmade clothing helps me see what looks good, what particular features and shapes I favor in my pattern choices, and what I still need to sew to make my wardrobe fully functional and practical.
It reaffirmed for me that I like the color palette that I've chosen for my clothes: I wore a lot of black, navy, brown, and white, as well as a little bit of tan, cream, rose, and olive green.
It helped me see that I like simplicity in my clothing and accessories. It also helped me identify some of the features that I like in my clothes: peter-pan collars, softly puffed sleeves, small prints rather than large ones (particularly gingham, stripes, and floral prints with lots of roses), solid-colored cotton fabrics, bishop sleeves, button-up shirts, jumper dresses, peasant blouses, and full skirts with a midi-to-ankle length hem. I realized that I prefer a semi-fitted or loose bodice over a highly fitted one (except for dressy clothes to wear to church on Sundays and other special occasions), and I also realized that I don't care for scooped necklines anymore, since my skin has had such a hard time transitioning to the dry weather here in Utah. I find that I like to be covered up, and then I don't have to worry much about sunburns or skin troubles or quick changes in the weather from cold to hot or vice versa.
I chose a few items that I think I will give away, as they are silhouettes or prints that I've realized were an interesting experiment, but don't fit in well with my other clothes. Right now I've pulled out three blouses to give away or put away for a while while I consider their place in my closet. I also put one dress away into my sentimental keepsake box.
This year's Me-Made-May also helped me realize that I don't need so many sewing patterns, or to keep collecting so many new ones. I have a good variety of patterns that I have tried and liked, which I can keep refining as I make new versions. As I wore different versions of the same patterns through the month, I realized how much I've come to like tried-and-true patterns. Tried and true patterns have many advantages: I already know how they will work with other parts of my wardrobe, I can count on a good fit, and they are easier to plan for. While I'll still try out some of the patterns that I already own which I haven't made yet, and I'm sure that I'll also still keep an eye out at thrift stores for the occasional pattern that catches my eye, I don't think I'll be buying many more patterns, because I like what I have to work with right now. Inspired by this realization, I've also been slowly working through my patterns and weeding out ones that I don't think I'm likely to ever make (or be satisfied with if I did make them) to give them away. This clean-out is helping me fit all of my supplies and patterns in an orderly way in my new sewing cabinet, which is exciting. When I have it all in order, I'll have to take some photos of our sewing space and how we organize our supplies for a future blog post.
If this fabric seems familiar, that's because I've used it once before already this year: to sew my Valentine's Day dress. Even though it was just a thrifted sheet, the fabric was still much too lovely to toss out the large, usable scraps leftover from the dress. So I decided to test out a recent Ebay pattern acquisition: Simplicity 7460, which I cut in a size 8, but with size 10 length kimono sleeves. I like this pattern very much! It's really easy and quick, and the fit is great: loose without being baggy. I think it is the perfect summer top, and I'm sure I'll be making some more, because it is so comfortable to wear and so fast to make. I think this would be a great pattern for beginner seamstresses, since you don't have to worry about setting in sleeves or sewing a collar or anything else finicky.
These dark pink buttons are ones I harvested off of an old dress that I used to wear when Mr Rat and I were dating. I was very fond of that dusty pink floral dress, and sad when it got a big tear that I couldn't fix. So I've been saving the buttons all these years for something special, and I think this project was just right for them: I'm sure I'll wear this blouse a lot this summer and in summers to come, and the pink matches the rose print perfectly.
Mr Rat kindly took these photos of me wearing my new blouse in my parents' backyard while we were visiting them earlier this month. It did me good to see so much sunshine again, and the roses starting to bloom, and the nasturtiums and bougainvillea and pomegranates all so vibrant.
I'm wearing my new blouse with an old Simplicity 7880 skirt, made of thrifted cotton poplin.
Mr and Mrs Rat
Mr and Mrs Rat like to sew