I have sewn 1970s-era Butterick 6469 before, but it was long before Mr Rat and I started this blog, and I wasn't as pleased with that original long-ago dress that I made as I am with this one. Since it has been several years since I last sewed it, I forgot how fitted this pattern is. While the dress is comfortable to wear overall, the tight sleeves don't give me a full range of movement. I think the simplest way to solve this problem in the future is just to switch out the long, slim sleeves for a puffed or flared style.
The sewing process for this dress was simple and straightforward. The only changes I made were to widen the skirt for more fullness, leave the buttons and loops off of the center seam and the sleeves, and to add some more of the cotton crochet trim to the neckline and sleeves. These particular sleeves have never eased in quite smooth for me, so I made a slight gather at the top to make it look slightly puffed. The gingham is from a queen sized cotton-poly blend sheet that I found at Goodwill recently. The cotton crochet trim is from Hobby Lobby, and was pre-washed with the fabric before I sewed it on by hand after the dress was complete.
I think this dress will look nice in the summer with a big straw hat and straw purse. Even though it is still grey and cold out, and I had to wear it over stockings and boots and under a heavy cape and shawl, at least the color and the pattern of this dress remind me that spring is coming.
You can see that I persist in sewing hopeful spring/summer clothing despite the weather's just as persistent insistence that it is not warm enough to wear them. I had just finished my first attempt of 1970s-era Butterick 3953 before Mr Rat and I decided to go visit the Red Butte Gardens in north-eastern Salt Lake City this past Saturday. Since it has been too dark, too stormy, and too busy to take photos for most of the month, Mr Rat suggested I wear my new blouse and he could photograph it during our exploration of the garden. It was a hopeful suggestion, but most of the time I was bundled up in my homemade grey wool cape and my long brown skirt and the only time my blouse saw the very weak sunshine was when I took off my cape long enough to capture the few photos above.
We enjoyed our trip to the gardens, and seeing the first bulbs blooming in the midst of the grey and brown expanses of grass and soil and bare branches. I also enjoyed wearing my new blouse, and foresee it making many reappearances during Me-Made-May and afterwards, as the weather warms up. I like the fit, the ruffles at the bottom of the sleeves, and the scooped neckline. The hardest part of sewing it was turning the long drawstring inside out. That took me quite a while of patient poking with a bamboo skewer. And the next hardest part was sewing the bias binding casings on straight for the sleeve elastic and the drawstring waist. The rest of the blouse was quite simple: it has no darts, just a little easing at the sides of the bust, and all the shaping comes from the casings. I did the buttonholes by hand, used thrifted buttons (I have so very many of these white buttons! You will probably see them on a lot of my summer sewing ahead this year), and added white cotton crochet lace trim by hand to the neckline, the bottom hem, and the ends of the sleeves. I like the crochet trim a great deal: it is delicate and simple. I try to buy a few spools of it whenever trims come on sale at Hobby Lobby and I happen to be near a store. Then I pre-wash it, since it is prone to shrinking, and iron it before I sew it onto my chosen fabric. This particular fabric is a thrifted piece of seersucker in a nice shade of grey-blue.
Altogether, I am pleased with my first attempt at this pattern. I think I might change the slope of the shoulders just a little, so that the neckline is a little tighter, but otherwise I don't think it needs any adjustments.
Has spring sprung in your part of the world yet? (Or autumn, for the lower hemisphere). Do you ever sew out of season, just because you are looking forward to the next one a little more than the one you are in? Winter feels like it has been going on for such a long time.
Now that the snow is melting and the sun is back warming up the very-blue sky, perhaps I can finally try to catch up on some of my sewing projects here on the blog. It is still cold to photograph outside, so I used the tripod and took a few photos of my new blouse in my studio (you can see some pieces in progress and some of my various sketches and paintings behind me). This short and simple top exists almost entirely thanks to thrift store finds and a little bit of work: I found both the pattern, 1970s-era Simplicity 5639, and the fabric, a black cotton with a subtle stripe woven into it, on separate thrift store trips. I think I've had the fabric since we lived in California, but I found the pattern here in Utah. It is always a nice thing to find a pattern I like in my size at the thrift store, and even nicer when that pattern is not missing any pieces.
I like that this pattern is a very quick and easy project. It didn't take me long to finish it. In fact, most of the sewing was done in one day. There are no closures to worry about, which speeds up the process even more. I did my usual finishing touches: edge-stitching the yoke all the way around, and finishing the hems with a narrow machine-stitched seam. Although it may be hard to see in these photos, I cut the yoke on the crosswise grain so that the stripes run perpendicular to the rest of the blouse. I'm pleased with the fit, which is breezy and comfortable. The simplicity of the cut lends itself well to highlighting handmade jewelry, like this honey jade necklace I made last year, or a beautiful shawl. The only concern I had during the construction would be that the blouse would be too short and I would worry about raising my arms whenever I wear it. But it turned out not to be a problem; with a narrow hem, it hits me at the high hip, and I can stretch any direction without trouble.
I imagine I will wear this blouse a lot as the weather warms up. It is wearable now with one of my long handmade Simplicity 7880 skirts over a slip and stockings and socks, and layered with a shawl, but it will be even easier to wear when it is hot enough to not need so many layers. In fact, this pattern strikes me as being so perfect for summer that I already cut out another copy in unbleached cotton muslin. I suppose it is optimistic to be thinking ahead to warm weather clothes, but I feel a need for hopefulness right now. Maybe the snow will finish melting this week---maybe it will be warmer next week---maybe by next month I can start planting flowers and re-potting my faithful houseplants, and even draw outside again.
What are you looking forward to doing when spring arrives? Or autumn, if you are in the southern hemisphere----summer can be just as hard to endure as winter, which makes the transitional seasons of spring and fall so beloved, so beautiful, and yet so brief.
While we are waiting for better weather to photograph our new sewing projects, I thought you might enjoy seeing some of the patterns I've thrifted in the past few months. Utah is much richer hunting ground for patterns than California, I think. I've also found some lovely pieces of fabric, but you'll have to wait until I sew them up to see them. . .
My most recent dress reminds me of Jane Eyre, both for its somber color and its whimsy. The pattern I used was McCall 4968, circa the 1970s. I sewed it in a very lovely grey wool worsted with a subtle herringbone weave that I found at the thrift store a few years ago and only recently had both the confidence that I could sew with it and the need for more warm wool clothing to push me forward into cutting it out and making it into a dress at last. This may be one of my more eccentric dresses, with its little flutter sleeves, but I like it: it is warm and comfortable, and the sleeves make it special.
The sewing process was pretty straightforward: I edge-stitched all the seams to help them lay flat and crisp. I also pinked the edges of the fabric on the inside since I plan to wash this dress very gently and the wool is very firmly woven and not prone to fraying. I stitched the darts down so they would stay flat, a detail I've noticed on some wool jackets at the thrift store. Since even thin wool is still thick in layers, I was careful to grade my seams and gathers where they met. To make sure I didn't get a rippled zipper, I interfaced the edges of zipper opening before I stitched the zipper in by hand. The only part of the sewing process that was particularly difficult was sewing the facings over the gathered sleeves and trimming the allowance, then flipping it to the inside and top-stitching the outside. I had to unpick my first attempt and try again, because it was hard to manage that many layers of wool in such a small area as the arm-hole and have a neat finish.
Mr Rat was kind enough to take some pictures of my new jumper dress on our Sunday morning walk to the local park with Gia. Other than a few red berries, there isn't a very wide range of colors in our world right now: mostly shades of grey and white, a little bit of dull green, lots of soft and faded yellow ochre, brown, and the bright blue of a winter sky. We're due for a big storm that is supposed to blow in tomorrow, so the world will have even less color the next time we go walking. I hope wherever you are, you are staying warm, and enjoying the post-holiday peace of January.
Well, since I have made and reviewed this same skirt pattern very recently, I will be brief here: this time I sewed it in some cotton sateen I bought in the LA fabric district early this year. The sateen pressed well (and I was careful to use a press cloth so as not get shine marks from the iron) and I finished the seams very simply by pinking them and using black bias binding from my stash to finish the bottom hem of the skirt. I think the next time I make this pattern I will use waistband interfacing to stiffen the waistband. In my previous denim version the fabric is stiff enough to hold itself up, but in this version it rolls a bit after I've been wearing it all day, especially if I've been sitting down, so I usually wear it under a vest, like here, or with a belt.
I'm wearing my new skirt with a white button-up shirt, my homemade black wool vest, some thrifted black leather gloves, my rubber snow-boots, and my silk William Morris scarf that I inherited from a very kind friend.
Merry Christmas to those of you who celebrate it! And happy holidays to everyone.
Mr Rat and I went to Southern California to visit our parents for Thanksgiving, and oh it was sunny and warm! Thanksgiving day hovered around 90 degrees in my parents' backyard, where Mr Rat and I took these photos of my newest attempt at 1990s-era Simplicity 8620. Although I like the pattern, I haven't had much luck with my last two versions: the first (reviewed here) was too wide in the shoulders and the fabric wrinkled badly and didn't drape well enough to really suit the looseness of this blouse pattern. The second (reviewed here) had wonderful drape, but the first time I tried to wash it I made the mistake of putting it in the washing machine on the delicate cycle and it came out weirdly warped and unwearable. I should have tried washing it by hand.
This version is made from a mystery floral fabric that I found at the thrift store a while ago. It has a gentle drape, and I suspect it is actually a lightweight wool, given the hand of the fabric and the way it behaves under an iron. It frayed badly, so I was careful to finish all my seams, mostly with a faux flat-fell finish, and to bind the armholes with some grey rayon seam binding that was also from the thrift store. I decided to use self-covered buttons, which I made with a kit from JoAnns. The fit is the same as my last black rayon version, with a narrow-shoulder adjustment, although this time I decided to add the large collar, which ended up being rather dramatic, but looks nice with the bishop sleeves, I think. I edge-stitched all the seams, sewed the button-holes by hand, and sewed two snaps to the top of the button-placket area, to help keep the blouse closed and neat where the collar meets.
Although the style, color, and pattern are somewhat of a departure from my usual earth-toned solids, I'm pleased with how this blouse turned out, and foresee it being a versatile blouse for all kinds of weather---the lightweight wool making it warm in cooler weather and wicking away moisture to keep it cool and comfortable in warmer weather. On Thanksgiving day I wore it with a homemade necklace made of autumn jasper and my brown Simplicity 7880 skirt (reviewed here).
Now that we are back in Utah, we are also back to grey landscapes, grey clouds, and heavy coats. How do you adjust to the weather when you are sewing? Do you readers always sew seasonally? I thought this blouse might be unseasonable, but I think it turned out to be just right for November in California, and I am hopeful it will make many reappearances here in Utah in the spring.
Simplicity 8458 is one of the handful of 1950s-era vintage reproduction patterns that Simplicity released this year to honor their 90th anniversary. I bought a copy during one of JoAnn's 99 cent pattern sales recently and decided it was worth a try. I've never had much luck with a-line skirts before because my hip and waist measurements are varied enough to be one, if not two pattern sizes apart, and so when I've tried sewing a size 8 (which is the best fit for my waist) sometimes the skirt won't fit over my hips, but when I've tried larger sized patterns, the waistline is huge, and when I've tried to grade the patterns to different sizes at the waist and hips, the skirt hasn't fallen into the proper folds. So this time I pulled out some denim I bought at the thrift store a few years ago that had some damage on it: a few small holes and a little bit of staining that wouldn't come out in the wash. I decided to try a size 10, and cut around the damage on the denim, and was surprised at how well it fits! The waistband is slightly looser than most of my skirts, but isn't extremely large (and is also easy to slip sweaters into). I think it also helps that the skirt is very flared, which makes it easier to pull on over hips of any size. The total flare of the skirt is probably close to a half-circle skirt, maybe a bit more. The skirt is designed with four gores, cut on the bias----it is important to follow the pattern layout for this skirt, because it has you cut out each piece in a single layer, and getting them at the right angles is very important for the skirt to hang well.
Even though I'm not wearing it with a petticoat in these pictures, it does accommodate a petticoat well, and flares nicely when I do wear one. I like that now I have an alternative skirt pattern to my normal gathered dirndl skirts, and that it doesn't add any bulk around the hips when I'm wearing it with a peplum blouse or jacket, like here, where I paired my new skirt with my denim peplum top I finished last month.
I top stitched all the seams and used a thick gold metal denim skirt zipper, for durability. Sewing this skirt is a simple process, but it is important to follow the instructions, even though there are few of them. The skirt has to be basted and hung out overnight so the bias can stretch out before you sew the panels together. It is also helpful to remember to sew from the bottom to the top on all the seams (the pattern reminds you to do so) so the stitches stretch in the proper direction. The instructions for attaching the waistband were different than my other skirt patterns----it has you finish the waistband with edge-stitching from the outside, rather than folding and finishing it on the inside, and the pattern doesn't recommend trimming the seam before sewing the waistband closed, which I found made the waistband stiff without having to add waistband interfacing. Since the bottom hem is heavily curved, I finished it using navy bias tape I thrifted a long time ago and had in my stash. I used a method like the one Bianca from the Closet Historian describes here.
I'm wearing my denim outfit with a thrifted shawl, a big tiger-eye brooch (also thrifted), thrifted leather gloves, and boots that I originally thrifted several years ago and had re-heeled earlier this year. Given my denim, buttons and bias tape were all thrifted too, I feel like I can truly claim that you can find most things you need second-hand shopping. Sewing doesn't have to be expensive. Neither does getting dressed in an interesting way.
I'm very pleased with how this skirt turned out and I've been wearing it a lot since I finished it. I think it is a practical, year round skirt, and could as easily be worn hiking or cleaning as taking a walk in the park.
Mr Rat was kind enough to take these photos while we were out walking with Gia in our local park. The weather is very grey most days, so it is very challenging to get good photos. The landscape has turned very stark: all shades of brown and grey. But there are beautiful bright berries on the bushes, and the evergreens are still dark green.
The trees are bare and wet and the creek is full of fading leaves----our landscape is much starker now than when we first moved in three weeks ago. But there are still ducks that meander up and down the creek and visit our backyard, and there are still a few last yellow trees that dot our walks and glow against the low grey skies.
It is much colder here in Utah than California, and will only keep getting colder over the next few months, so I have been thinking seriously about planning and sewing warmer clothes. This is one of my first attempts at that since we’ve moved. I’ve made McCalls 6209 twice before (here and here) and so I knew already that it has a good fit and is very comfortable as an everyday dress, and I thought the bishop sleeves would be a nice touch to give a basic black dress an interesting element of shape, as well as being very warm for my arms. I made it out of an enormous piece of black cotton flannel that I bought very cheaply at the thrift store----and even after finishing this dress, there is still four yards left, plenty to make another winter dress. The only bad thing about the flannel is that it tends to get wrinkles and linty, but it is so soft and warm that I don't mind it so much. My other idea for using McCalls 6209 is that since it has a relatively fitted top with a skirt gathered to my natural waist that I can wear a wool skirt over it in winter and be extra warm from the layers. Having long, full, flannel sleeves works very well for my wool capes, too, since they keep my arms warmer than my thinner cotton dresses.
Since I have sewn this and shared this pattern several times before, I don’t think there is much to add about it here: I finished the inside seams with pinking shears, interfaced the edges of the back zipper so it wouldn’t ripple, and finished the waistline with a piece of black bias binding on the inside. This acts both as a stay, since it is sewn into the waistline seam, and it also covers the raw edges of the gathered skirt, since after I sew it to the waistline I fold it up and sew the top across the bottom edge of the bodice.
Even though I am thinking a lot about what I need to sew and buy for my new cold weather wardrobe, I am also planning on going home to California for Thanksgiving in a few weeks, and I know it will likely be warm there. My next project may therefore seem a bit unseasonable, since I cut out a lightweight blouse last week that I plan to sew before we go on our trip. And the last project I finished was also made for our trip, too, although I think it will be suitable to wear here in the winter---but more about that when I finally photograph it and post it.
Are any of you sewing anything special for the holidays?
I've been debating with myself whether I should post this or not, since it feels a bit like bragging to share the big pile of patterns I thrifted last weekend, but then I thought that since you are all sewers (and probably have an interest in vintage fashion if you are visiting this blog) that you might be interested in seeing them because some of these patterns I found are rare and unusual; certainly there are a few that I bought that I've never seen on the internet before. Since it will probably be a while before I can sew many or all of them (I found 20, almost all in my size, and very few are missing any pattern pieces----what rare luck!), here are some photos of my 50-cent purchases that delighted me so.
If any of you want closer photos to see the details of any of the patterns (or have suggestions for which I should sew next) leave me a comment!
Mr and Mrs Rat
Mr and Mrs Rat like to sew