I finished this new version of Simplicity 8458 (a 1950s reproduction pattern) back in the spring. Some of you might have noticed its appearance during Me-Made-May this year. I haven't worn it a lot since then, though. But when my sister invited Mr Rat and I on a wildflower hike up the Albion Basin in the Wasatch Front on a very hot Friday evening earlier in the month, I pulled it out of the closet and thought I should give it another chance. The good thing about a skirt like this is that it is loose and comfortable, has a good range of movement for walking and hiking, it is made of durable heavy twill from the thrift store (which makes it conveniently inexpensive, too, so I don't have to worry about getting it dirty or damaged outside), and is long enough to cover my legs from weeds but short enough to not tangle around my ankles. I think I've found this skirt's best purpose: to wear on adventures outdoors.
In terms of construction, I made it in the same way as my first version and my second version (which I have since given away because I wore it so rarely----it attracted lint very badly, which makes me feel wary of using cotton sateen again). It is a simple skirt with very few seams. Most of the time that goes into the sewing of it is in basting the pieces together and letting them hang overnight before sewing the rest of the skirt together. I used bias tape to hem the bottom, and used faux flat-fell seams on the inside to make the skirt really durable.
I'm wearing my homemade skirt in these photos with an old button-up white shirt I've had several years, thrifted leather boots and a thrifted straw hat. These beautiful photos were taken by Mr Rat and my sister, who generously gave us copies of the pictures she took on our spectacular sunset hike.
I've missed posting here---I've missed taking photos with Mr Rat----and I've missed all of you, and the interesting conversations that we have. This summer has been a hard one, and taking pictures and updating the website have both fallen by the wayside. Now that a few of the hard things are over and we are in the midst of coming to terms with some of the other difficult bits, I hope that we will be able to post here more regularly again. My goal is to manage a post at least one to three times a month. It is such a pleasure to have this project to work on together with Mr Rat: a little world of creativity to inhabit and develop here on our shared website, a record to keep of our efforts and growth. I don't want to let it go, and don't think that we are currently facing any life changes that will make continuing our work here impossible----it just gets hard sometimes when other things need our attention for a while.
I've had my copy of late 1960s-era Simplicity 9486 for at least two years now, and have always liked the look of the high waist, full skirt, ruffled sleeves and square neckline. Recently I found a large pale blue gingham sheet at Goodwill (much like the one I used to make this dress in the spring, just a shade darker) and decided that this would be a good time to try this dress out: at the height of summer, when comfortable, light dresses are the best thing to combat daily 100 degree Fahrenheit temperatures. Simplicity 9486 didn't disappoint. My only adjustments were to widen the skirt quite a bit, since I like freedom of motion that fuller skirts give me, and to use narrow seam allowances at the back of the bodice along the center-back zipper, since I found the bodice to be rather tight around my ribs and I had already gone too far in the sewing process to let out the side seams. In the future, I will remember to add a little bit of allowance at the side seams along the ribs, for ease of breathing and comfort. Otherwise, I'm very pleased with the fit: I like the higher square neckline, the four darts on each side of the bodice give it a lot of shaping, and the sleeves have a nice shape and pleasing amount of puff.
As usual, I edge-stitched around the neckline, interfaced the fabric along the zipper to keep that area from rippling, inserted the zipper by hand with a prick-stitch, and finished and stayed the waistline with a piece of bias tape which I sewed into the waistline seam and then folded up over the trimmed waistline gathers and sewed to the bodice to completely cover the raw edges. I pinked the other seam allowances and used some scraps of white bias binding to make the casings for the elastic at the wrists.
I'm wearing my new dress with a new-to-me $3 straw hat that I also found at Goodwill. Mr Rat took these photos during golden hour at the park down the street from the complex where we live. The park has an arboretum on the other side of the creek from the play areas for children. Mr Rat and Gia and I had a lovely, peaceful time wandering under the trees and admiring the flowers and bees that are still enduring despite the extreme temperatures all month.
On a different note: I do have to admit that I feel uncertain about wearing light blue. I like to wear navy and feel like it is a good color for me, but I find it hard to tell whether light blue is an unflattering color on me or whether I am just more comfortable wearing mid-to-darker shades than lighter ones. Do any of you have any advice about this? Choosing colors is such a subjective process. Light blue does feel very summery to me, so perhaps it doesn't matter whether or not it is a flattering color, so long as it is a happy one.
What do you all think about choosing colors for sewing projects: do you only choose flattering colors to sew with, or do you sew with any color that strikes your fancy and makes you pleased?
If this fabric seems familiar, that's because I've used it once before already this year: to sew my Valentine's Day dress. Even though it was just a thrifted sheet, the fabric was still much too lovely to toss out the large, usable scraps leftover from the dress. So I decided to test out a recent Ebay pattern acquisition: Simplicity 7460, which I cut in a size 8, but with size 10 length kimono sleeves. I like this pattern very much! It's really easy and quick, and the fit is great: loose without being baggy. I think it is the perfect summer top, and I'm sure I'll be making some more, because it is so comfortable to wear and so fast to make. I think this would be a great pattern for beginner seamstresses, since you don't have to worry about setting in sleeves or sewing a collar or anything else finicky.
These dark pink buttons are ones I harvested off of an old dress that I used to wear when Mr Rat and I were dating. I was very fond of that dusty pink floral dress, and sad when it got a big tear that I couldn't fix. So I've been saving the buttons all these years for something special, and I think this project was just right for them: I'm sure I'll wear this blouse a lot this summer and in summers to come, and the pink matches the rose print perfectly.
Mr Rat kindly took these photos of me wearing my new blouse in my parents' backyard while we were visiting them earlier this month. It did me good to see so much sunshine again, and the roses starting to bloom, and the nasturtiums and bougainvillea and pomegranates all so vibrant.
I'm wearing my new blouse with an old Simplicity 7880 skirt, made of thrifted cotton poplin.
This dress marks many firsts for me: first vintage vogue pattern (I tried sewing a few modern vogue patterns when I first started sewing my clothes again and had bad troubles with the fit every time, which scared me off from Vogue patterns for a couple of years), first buttoned front that overlaps a little ways under the waistband rather than going all the way down the dress, first pleated skirt, and first tucks.
The pattern is a 1970s Vogue American Designer Giorgio Sant'Angelo pattern in my usual size 8. It fit perfectly! So I think I can try other vintage Vogue patterns from the same era with new-found confidence. This particular pattern is actually designed to be made out of bed sheets, so my choice of a thrifted striped floral sheet from Goodwill suited it very well. I couldn't quite squeeze out enough fabric for the bottom ruffle, but I think the dress looks nice without it. With the ruffle I think it would have come down to my ankles, which is something to consider for future versions, but being a little shorter this time makes it more summery, I think. My only other change was inadvertent: since Vogue patterns can be rather scarce in portions of their instructions, I think I may have done the tucks on the sleeves on the wrong side, but I like the way they look, so I am not displeased with my mistake.
The construction is interesting: the whole skirt is pleated and then you turn up and sew the seam allowance on the back of the skirt only to create a casing for elastic. There is a sort of button fly detail in the front that was hard to figure out with the minimal Vogue instructions, but I managed it eventually. The fabric ties are pleated where they are sewn into the bodice sides. And the top of the sleeves are tucked (a very lovely detail), before they puff out down to the elasticized wrists.
Considering the greater level of detail, this dress didn't take me much longer to sew than any of my other dresses, which I find encouraging. I like the shape of it, and I think I'll likely make it again.
These photos of my new dress are also from our visit to our parents in California. I made this dress specifically to wear to an opening at the Getty Villa. We didn't get any pictures that night and I thought it was a shame not to wear such a pretty summer dress again while we were enjoying such warm weather, so I wore it again when we went to Descanso gardens with my Dad. It made me feel happy as a child to find some tall snap-dragons and make them 'snap.' And oh----the blossoming trees, and all the wildlife we saw! So many big frogs and turtles, all sorts of birds and insects and butterflies of every color. It was really a pleasant day to enjoy Spring.
Have you done anything special to celebrate the arrival of spring (or autumn, if you live in the southern hemisphere)?
These photos of my new spring outfit are a bit belated: Mr Rat took them on the same day that I took pictures of his tan linen shirt. And I actually sewed this outfit several months ago in February but it just wasn't spring-like enough to wear it right away. It wasn't quite spring at the beginning of this month, either, except for the blossoming trees and the very beginnings of leaves coming out on the willows. You can see also that the grass was growing green, but it was still very cold and windy. And so I'm afraid that my two-piece vintage dress made from 1970s McCalls 2592 (which I sewed last fall in denim) and Simplicity 7880 (which I have sewn many, many times) looks a little disheveled and wind-blown in these photos and so do I.
I made this outfit out of a queen sized sheet that I found at Goodwill. I suspect that it was homemade, since there was a zig-zagged seam that ran all the way down the middle, and an extra wide border where the Indian-inspired floral paisley print was turned sideways. Light green isn't a typical color for me, but I liked the old-fashioned print and decided to try it out, since $4 for a whole lot of fabric is not a large risk. The seam in the middle required some creative cutting, as you can see in the photo below. The collar, blouse, and peplum all have a seam down the middle back. And the wrinkles around my arms aren't typically there, it was just that I was hugging myself from the cold and wishing I could put my cape back on. We didn't get many other photos of the back of the dress, since it was a very quick, very cold photo shoot that day, so this one will have to do. The buttons are the inexpensive $1 'thin-line' sort from JoAnns, which I bought half-off on sale. It took me two sets of buttons to finish the front of the blouse, for a grand total of $1. It is a little hard to see in the soft grey light of these photos, but the buttons are a soft peach-pink that looks well with the pink flowers in the print of the dress. As usual, I finished the inside of the waist seam with bias tape, pinked the seams, stitched around the arm holes twice before I trimmed them, and used stiff waist-band interfacing to keep the waistband of the skirt from rolling. As a last construction note: I also cut the skirt so that the border was on the bottom, taking away the need to add any kind of hem, since the border was already finished on the edge.
I'm wearing my dress with my favorite vintage boots, stockings and a petticoat for warmth, and a vintage gold brooch shaped like a bouquet of violets that Mr Rat gave me for Valentine's day. My nephew gave the outfit his stamp of approval: it was the first time he told me that I looked 'very pretty.'
I have sewn 1970s-era Butterick 6469 before, but it was long before Mr Rat and I started this blog, and I wasn't as pleased with that original long-ago dress that I made as I am with this one. Since it has been several years since I last sewed it, I forgot how fitted this pattern is. While the dress is comfortable to wear overall, the tight sleeves don't give me a full range of movement. I think the simplest way to solve this problem in the future is just to switch out the long, slim sleeves for a puffed or flared style.
The sewing process for this dress was simple and straightforward. The only changes I made were to widen the skirt for more fullness, leave the buttons and loops off of the center seam and the sleeves, and to add some more of the cotton crochet trim to the neckline and sleeves. These particular sleeves have never eased in quite smooth for me, so I made a slight gather at the top to make it look slightly puffed. The gingham is from a queen sized cotton-poly blend sheet that I found at Goodwill recently. The cotton crochet trim is from Hobby Lobby, and was pre-washed with the fabric before I sewed it on by hand after the dress was complete.
I think this dress will look nice in the summer with a big straw hat and straw purse. Even though it is still grey and cold out, and I had to wear it over stockings and boots and under a heavy cape and shawl, at least the color and the pattern of this dress remind me that spring is coming.
You can see that I persist in sewing hopeful spring/summer clothing despite the weather's just as persistent insistence that it is not warm enough to wear them. I had just finished my first attempt of 1970s-era Butterick 3953 before Mr Rat and I decided to go visit the Red Butte Gardens in north-eastern Salt Lake City this past Saturday. Since it has been too dark, too stormy, and too busy to take photos for most of the month, Mr Rat suggested I wear my new blouse and he could photograph it during our exploration of the garden. It was a hopeful suggestion, but most of the time I was bundled up in my homemade grey wool cape and my long brown skirt and the only time my blouse saw the very weak sunshine was when I took off my cape long enough to capture the few photos above.
We enjoyed our trip to the gardens, and seeing the first bulbs blooming in the midst of the grey and brown expanses of grass and soil and bare branches. I also enjoyed wearing my new blouse, and foresee it making many reappearances during Me-Made-May and afterwards, as the weather warms up. I like the fit, the ruffles at the bottom of the sleeves, and the scooped neckline. The hardest part of sewing it was turning the long drawstring inside out. That took me quite a while of patient poking with a bamboo skewer. And the next hardest part was sewing the bias binding casings on straight for the sleeve elastic and the drawstring waist. The rest of the blouse was quite simple: it has no darts, just a little easing at the sides of the bust, and all the shaping comes from the casings. I did the buttonholes by hand, used thrifted buttons (I have so very many of these white buttons! You will probably see them on a lot of my summer sewing ahead this year), and added white cotton crochet lace trim by hand to the neckline, the bottom hem, and the ends of the sleeves. I like the crochet trim a great deal: it is delicate and simple. I try to buy a few spools of it whenever trims come on sale at Hobby Lobby and I happen to be near a store. Then I pre-wash it, since it is prone to shrinking, and iron it before I sew it onto my chosen fabric. This particular fabric is a thrifted piece of seersucker in a nice shade of grey-blue.
Altogether, I am pleased with my first attempt at this pattern. I think I might change the slope of the shoulders just a little, so that the neckline is a little tighter, but otherwise I don't think it needs any adjustments.
Has spring sprung in your part of the world yet? (Or autumn, for the lower hemisphere). Do you ever sew out of season, just because you are looking forward to the next one a little more than the one you are in? Winter feels like it has been going on for such a long time.
Now that the snow is melting and the sun is back warming up the very-blue sky, perhaps I can finally try to catch up on some of my sewing projects here on the blog. It is still cold to photograph outside, so I used the tripod and took a few photos of my new blouse in my studio (you can see some pieces in progress and some of my various sketches and paintings behind me). This short and simple top exists almost entirely thanks to thrift store finds and a little bit of work: I found both the pattern, 1970s-era Simplicity 5639, and the fabric, a black cotton with a subtle stripe woven into it, on separate thrift store trips. I think I've had the fabric since we lived in California, but I found the pattern here in Utah. It is always a nice thing to find a pattern I like in my size at the thrift store, and even nicer when that pattern is not missing any pieces.
I like that this pattern is a very quick and easy project. It didn't take me long to finish it. In fact, most of the sewing was done in one day. There are no closures to worry about, which speeds up the process even more. I did my usual finishing touches: edge-stitching the yoke all the way around, and finishing the hems with a narrow machine-stitched seam. Although it may be hard to see in these photos, I cut the yoke on the crosswise grain so that the stripes run perpendicular to the rest of the blouse. I'm pleased with the fit, which is breezy and comfortable. The simplicity of the cut lends itself well to highlighting handmade jewelry, like this honey jade necklace I made last year, or a beautiful shawl. The only concern I had during the construction would be that the blouse would be too short and I would worry about raising my arms whenever I wear it. But it turned out not to be a problem; with a narrow hem, it hits me at the high hip, and I can stretch any direction without trouble.
I imagine I will wear this blouse a lot as the weather warms up. It is wearable now with one of my long handmade Simplicity 7880 skirts over a slip and stockings and socks, and layered with a shawl, but it will be even easier to wear when it is hot enough to not need so many layers. In fact, this pattern strikes me as being so perfect for summer that I already cut out another copy in unbleached cotton muslin. I suppose it is optimistic to be thinking ahead to warm weather clothes, but I feel a need for hopefulness right now. Maybe the snow will finish melting this week---maybe it will be warmer next week---maybe by next month I can start planting flowers and re-potting my faithful houseplants, and even draw outside again.
What are you looking forward to doing when spring arrives? Or autumn, if you are in the southern hemisphere----summer can be just as hard to endure as winter, which makes the transitional seasons of spring and fall so beloved, so beautiful, and yet so brief.
While we are waiting for better weather to photograph our new sewing projects, I thought you might enjoy seeing some of the patterns I've thrifted in the past few months. Utah is much richer hunting ground for patterns than California, I think. I've also found some lovely pieces of fabric, but you'll have to wait until I sew them up to see them. . .
My most recent dress reminds me of Jane Eyre, both for its somber color and its whimsy. The pattern I used was McCall 4968, circa the 1970s. I sewed it in a very lovely grey wool worsted with a subtle herringbone weave that I found at the thrift store a few years ago and only recently had both the confidence that I could sew with it and the need for more warm wool clothing to push me forward into cutting it out and making it into a dress at last. This may be one of my more eccentric dresses, with its little flutter sleeves, but I like it: it is warm and comfortable, and the sleeves make it special.
The sewing process was pretty straightforward: I edge-stitched all the seams to help them lay flat and crisp. I also pinked the edges of the fabric on the inside since I plan to wash this dress very gently and the wool is very firmly woven and not prone to fraying. I stitched the darts down so they would stay flat, a detail I've noticed on some wool jackets at the thrift store. Since even thin wool is still thick in layers, I was careful to grade my seams and gathers where they met. To make sure I didn't get a rippled zipper, I interfaced the edges of zipper opening before I stitched the zipper in by hand. The only part of the sewing process that was particularly difficult was sewing the facings over the gathered sleeves and trimming the allowance, then flipping it to the inside and top-stitching the outside. I had to unpick my first attempt and try again, because it was hard to manage that many layers of wool in such a small area as the arm-hole and have a neat finish.
Mr Rat was kind enough to take some pictures of my new jumper dress on our Sunday morning walk to the local park with Gia. Other than a few red berries, there isn't a very wide range of colors in our world right now: mostly shades of grey and white, a little bit of dull green, lots of soft and faded yellow ochre, brown, and the bright blue of a winter sky. We're due for a big storm that is supposed to blow in tomorrow, so the world will have even less color the next time we go walking. I hope wherever you are, you are staying warm, and enjoying the post-holiday peace of January.
Mr and Mrs Rat
Mr and Mrs Rat like to sew